Making Mr. Right (1987)
Directed by Susan Seidelman · Cinematography by Edward Lachman
PG-1398 min146 frames
ComedyRomanceScience Fiction
A man with a good warranty is hard to find.
Stills, screencaps & shots from Making Mr. Right
16 of 146 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















Making Mr. Right — official trailer
What is Making Mr. Right about?
When image consultant Frankie Stone is hired by a tech company to teach a scientist’s “Ulysses Robot” how to be a man, she winds up developing very real feelings for the faux human.
Where can you watch Making Mr. Right?
Amazon Prime VideoStream
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US availability for Making Mr. Right (1987). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in Making Mr. Right?
Who made Making Mr. Right?
What does the cinematography of Making Mr. Right look like?
Across 146 sampled frames, Making Mr. Right builds its coverage from medium shots (64% of the sample), with close-ups (16%) carrying much of the rest. Cinematographer Edward Lachman keeps 54% of it in soft, high-key light. Anamorphic glass shapes the frame. Focus stays shallow in 71% of the frames, isolating subjects from their surroundings.
What is the color palette of Making Mr. Right?
The dominant colors across the sampled frames of Making Mr. Right (1987) are #f6f6f5, #322f2f, #d2d1cf, #070708, #ababab, #8d8c8c — measured from the per-frame color data FrameThrower extracts for every film.
#f6f6f5#322f2f#d2d1cf#070708#ababab#8d8c8c
See the full Making Mr. Right colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
FrameThrower is a fully machine-searchable film database and visual reference library — all 146 frames of Making Mr. Right (1987), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.
Techniques in this film
More films by Susan Seidelman
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