We're the Millers (2013)
Directed by Rawson Marshall Thurber · Cinematography by Barry Peterson
R110 min147 frames
ComedyCrime
If anyone asks.
Stills, screencaps & shots from We're the Millers
16 of 147 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
We're the Millers — official trailer
What is We're the Millers about?
A veteran pot dealer creates a fake family as part of his plan to move a huge shipment of weed into the U.S. from Mexico.
We're the Millers is a 2013 American comedy road film directed by Rawson Marshall Thurber and starring Jennifer Aniston, Jason Sudeikis, Emma Roberts, Will Poulter, Nick Offerman, Kathryn Hahn, Molly Quinn, and Ed Helms. The film's screenplay was written by Bob Fisher, Steve Faber, Sean Anders, and John Morris, based on a story by Fisher and Faber. The plot follows a small-time pot dealer (Sudeikis) who convinces his neighbors to help him by pretending to be his family in order to smuggle drugs from Mexico into the United States.
Second paragraph from Wikipedia, available under CC BY-SA 4.0.
Where can you watch We're the Millers?
US availability for We're the Millers (2013). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in We're the Millers?
Who made We're the Millers?
What does the cinematography of We're the Millers look like?
Across 147 sampled frames, We're the Millers builds its coverage from medium shots (64% of the sample), with close-ups (16%) carrying much of the rest. Cinematographer Barry Peterson keeps 62% of it in soft, naturalistic light. Focus stays shallow in 80% of the frames, isolating subjects from their surroundings.
What is the color palette of We're the Millers?
The dominant colors across the sampled frames of We're the Millers (2013) are #312f2e, #f8f8f7, #d5d2cc, #53514a, #0f0f0f, #8f8e8c — measured from the per-frame color data FrameThrower extracts for every film.
#312f2e#f8f8f7#d5d2cc#53514a#0f0f0f#8f8e8c
See the full We're the Millers colour palette — every hex with its share, plus warmth, saturation and luminance.
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Techniques in this film
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