In the Year 2889 (1969)

Stills, screencaps & shots from In the Year 2889

16 of 63 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.

What is In the Year 2889 about?

The last seven survivors of a nuclear war barricade themselves against the outside world. Beyond a dense mist, other survivors, radiated and mutant, grow hungry.

In the Year 2889 is a 1967 American made-for-television horror science fiction film from American International Pictures about the aftermath of a future nuclear war. The film stars Paul Petersen, Quinn O'Hara, Charla Doherty, Neil Fletcher and Hugh Feagin. AIP commissioned low-budget cult film auteur Larry Buchanan to produce and direct this film as a color remake of Roger Corman's 1956 film Day the World Ended.

Second paragraph from Wikipedia, available under CC BY-SA 4.0.

Where can you watch In the Year 2889?

• Amazon Prime VideoStream
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• ScreenPix Apple TV channelStream

US availability for In the Year 2889 (1969). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.

Who stars in In the Year 2889?

• Paul Petersenas Steve Morrow
• Quinn O'Haraas Jada
• Charla Dohertyas Joanna Ramsey

Who made In the Year 2889?

• Larry BuchananDirector
• RRobert C. JessupCinematography

What does the cinematography of In the Year 2889 look like?

Sampled across 63 frames, the coverage of In the Year 2889 leans heavily on medium shots (70% of the sample). Cinematographer Robert C. Jessup keeps 41% of it in soft, naturalistic light. Vintage glass shapes the frame, over a texture recalling 16mm. Focus stays shallow in 83% of the frames, isolating subjects from their surroundings.

What is the color palette of In the Year 2889?

The dominant colors across the sampled frames of In the Year 2889 (1969) are #332e27, #0c0a09, #d1b28f, #d1cdc6, #eee7d4, #534d38 — measured from the per-frame color data FrameThrower extracts for every film.

• #332e27
• #0c0a09
• #d1b28f
• #d1cdc6
• #eee7d4
• #534d38

See the full In the Year 2889 colour palette — every hex with its share, plus warmth, saturation and luminance.

Techniques in this film

• Vintage Lens Look
• Shallow Depth of Field
• Soft Light
• Night Scenes
• Two Shots

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