White Of The Eye (1987)
Directed by Donald Cammell · Cinematography by Larry McConkey
R110 min59 frames
HorrorThriller
No woman is safe… while he is loose!
Stills, screencaps & shots from White Of The Eye
16 of 59 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















White Of The Eye — official trailer
What is White Of The Eye about?
In a wealthy and isolated desert community, a sound expert is targeted as the prime suspect of a series of brutal murders of local suburban housewives who were attacked and mutilated in their homes. As he desperately tries to prove his innocence, his wife starts to uncover startling truths...
Where can you watch White Of The Eye?
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US availability for White Of The Eye (1987). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in White Of The Eye?
Who made White Of The Eye?
What does the cinematography of White Of The Eye look like?
Sampled across 59 frames, the coverage of White Of The Eye leans on close-ups (36% of the sample) and medium shots (24%). Cinematographer Larry McConkey keeps 51% of it in soft, naturalistic light. Vintage glass shapes the frame. Focus stays shallow in 56% of the frames, isolating subjects from their surroundings.
What is the color palette of White Of The Eye?
The dominant colors across the sampled frames of White Of The Eye (1987) are #332f2e, #56514b, #8f756a, #100d0c, #4c3229, #f2f0f0 — measured from the per-frame color data FrameThrower extracts for every film.
#332f2e#56514b#8f756a#100d0c#4c3229#f2f0f0
See the full White Of The Eye colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
FrameThrower is a fully machine-searchable film database and visual reference library — all 59 frames of White Of The Eye (1987), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.
Techniques in this film
More films by Donald Cammell
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