I'm Still Here (2024)
Directed by Walter Salles · Cinematography by Adrian Teijido
PG-13137 min219 frames
DramaHistory
When a mother's courage defies tyranny, hope is reborn.
Stills, screencaps & shots from I'm Still Here
16 of 219 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















I'm Still Here — official trailer
What is I'm Still Here about?
A woman married to a former politician during the 1971 military dictatorship in Brazil is forced to reinvent herself and chart a new course for her family after a violent and arbitrary act.
I'm Still Here is a 2024 political biographical drama film directed by Walter Salles from a screenplay by Murilo Hauser and Heitor Lorega, based on Marcelo Rubens Paiva's 2015 memoir of the same name. It stars Fernanda Torres and Fernanda Montenegro as Eunice Paiva, a mother and activist coping with the forced disappearance of her husband, the dissident politician Rubens Paiva, during the military dictatorship in Brazil.
Second paragraph from Wikipedia, available under CC BY-SA 4.0.
Where can you watch I'm Still Here?
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US availability for I'm Still Here (2024). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in I'm Still Here?
Who made I'm Still Here?
What does the cinematography of I'm Still Here look like?
Across 200 sampled frames, medium shots dominate the coverage of I'm Still Here (76% of the sample). Cinematographer Adrian Teijido keeps 58% of it in soft, naturalistic light. Focus stays shallow in 89% of the frames, isolating subjects from their surroundings.
What is the color palette of I'm Still Here?
The dominant colors across the sampled frames of I'm Still Here (2024) are #32312d, #52534b, #d2c9b1, #d6d3ca, #151513, #908a75 — measured from the per-frame color data FrameThrower extracts for every film.
#32312d#52534b#d2c9b1#d6d3ca#151513#908a75
See the full I'm Still Here colour palette — every hex with its share, plus warmth, saturation and luminance.
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Techniques in this film
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