Fear and Loathing In Las Vegas (1998)
Directed by Terry Gilliam · Cinematography by Nicola Pecorini
R118 min62 frames
AdventureDramaComedy
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Stills, screencaps & shots from Fear and Loathing In Las Vegas
16 of 62 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
Fear and Loathing In Las Vegas — official trailer
What is Fear and Loathing In Las Vegas about?
Raoul Duke and his attorney Dr. Gonzo drive a red convertible across the Mojave desert to Las Vegas with a suitcase full of drugs to cover a motorcycle race. As their consumption of drugs increases at an alarming rate, the stoned duo trash their hotel room and fear legal repercussions. Duke begins to drive back to L.A., but after an odd run-in with a cop, he returns to Sin City and continues his wild drug binge.
Where can you watch Fear and Loathing In Las Vegas?
US availability for Fear and Loathing In Las Vegas (1998). Provided by Streaming Availability API by Movie of the Night. Availability changes — check the provider for current listings.
Who stars in Fear and Loathing In Las Vegas?
Who made Fear and Loathing In Las Vegas?
What does the cinematography of Fear and Loathing In Las Vegas look like?
Sampled across 62 frames, the coverage of Fear and Loathing In Las Vegas leans on medium shots (42% of the sample) and wide compositions (32%). The camera returns again and again to low angles. Cinematographer Nicola Pecorini keeps 53% of it in low-key light. Night and dusk account for 60% of the frames. Anamorphic glass shapes the frame. Focus stays shallow in 58% of the frames, isolating subjects from their surroundings.
What is the color palette of Fear and Loathing In Las Vegas?
The dominant colors across the sampled frames of Fear and Loathing In Las Vegas (1998) are #0d0c0b, #342d2a, #f5f4f2, #d4a778, #2b0f11, #d5b28d — measured from the per-frame color data FrameThrower extracts for every film.
#0d0c0b#342d2a#f5f4f2#d4a778#2b0f11#d5b28d
See the full Fear and Loathing In Las Vegas colour palette — every hex with its share, plus warmth, saturation and luminance.
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