Green Lantern (2011)
Directed by Martin Campbell · Cinematography by Dion Beebe
PG-13114 min127 frames
AdventureActionScience Fiction
In brightest day. In blackest night.
Stills, screencaps & shots from Green Lantern
16 of 127 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















Green Lantern — official trailer
What is Green Lantern about?
For centuries, a small but powerful force of warriors called the Green Lantern Corps has sworn to keep intergalactic order. Each Green Lantern wears a ring that grants him superpowers. But when a new enemy called Parallax threatens to destroy the balance of power in the Universe, their fate and the fate of Earth lie in the hands of the first human ever recruited.
Where can you watch Green Lantern?
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US availability for Green Lantern (2011). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in Green Lantern?
Who made Green Lantern?
What does the cinematography of Green Lantern look like?
Sampled across 127 frames, the coverage of Green Lantern leans on medium shots (37% of the sample) and close-ups (28%). Cinematographer Dion Beebe keeps 65% of it in soft, low-key light. Night and dusk account for 68% of the frames. Anamorphic glass shapes the frame. Focus stays shallow in 72% of the frames, isolating subjects from their surroundings.
What is the color palette of Green Lantern?
The dominant colors across the sampled frames of Green Lantern (2011) are #0c100d, #30312d, #50514c, #082c0a, #1a2929, #f4f7f1 — measured from the per-frame color data FrameThrower extracts for every film.
#0c100d#30312d#50514c#082c0a#1a2929#f4f7f1
See the full Green Lantern colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
FrameThrower is a fully machine-searchable film database and visual reference library — all 127 frames of Green Lantern (2011), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.
Techniques in this film
More films by Martin Campbell
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