Sanshiro Sugata Part II (1945)
Directed by Akira Kurosawa · Cinematography by Takeo Itō
83 min63 frames
ActionDramaAdventure
Stills, screencaps & shots from Sanshiro Sugata Part II
16 of 63 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
What is Sanshiro Sugata Part II about?
A few years after his breakthrough, Sanshiro resumes his path to judo mastery—testing his discipline against an American prizefighter and later facing vengeful karate brothers. As rival schools and public spectacle push him toward violence, he must reconcile strength with restraint and the true spirit of his art.
Where can you watch Sanshiro Sugata Part II?
US availability for Sanshiro Sugata Part II (1945). Provided by Streaming Availability API by Movie of the Night. Availability changes — check the provider for current listings.
Who stars in Sanshiro Sugata Part II?
Who made Sanshiro Sugata Part II?
What does the cinematography of Sanshiro Sugata Part II look like?
Across 63 sampled frames, Sanshiro Sugata Part II builds its coverage from medium shots (35% of the sample), with close-ups (30%) carrying much of the rest. Cinematographer Takeo Itō keeps 38% of it in soft, low-key light. Vintage glass shapes the frame, over a texture recalling 16mm. The production design places the film in the 1940s.
What is the color palette of Sanshiro Sugata Part II?
The dominant colors across the sampled frames of Sanshiro Sugata Part II (1945) are #020202, #313131, #8e8e8e, #6d6d6d, #cccccc, #fafafa — measured from the per-frame color data FrameThrower extracts for every film.
#020202#313131#8e8e8e#6d6d6d#cccccc#fafafa
See the full Sanshiro Sugata Part II colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
FrameThrower is a fully machine-searchable film database and visual reference library — all 63 frames of Sanshiro Sugata Part II (1945), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.
Techniques in this film
More films by Akira Kurosawa
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