Gozu (2003)
Directed by Takashi Miike · Cinematography by Kazushige Tanaka
R129 min39 frames
HorrorComedyCrimeThriller
Stills, screencaps & shots from Gozu
16 of 39 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















Gozu — official trailer
What is Gozu about?
Minami mistakenly kills a gangster associate of his named Brother. Almost as soon as the murder takes place, the body of the deceased man is gone, prompting Minami to conduct a search. While looking, he finds a mysterious isolated hotel where he decides to take a rest. Not only are the front desk clerks a bit strange, but even the ambiance feels unusual. Minami soon realizes he may have gotten more than he bargained for.
Where can you watch Gozu?
US availability for Gozu (2003). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in Gozu?
Who made Gozu?
What does the cinematography of Gozu look like?
Sampled across 39 frames, the coverage of Gozu leans on medium shots and close-ups. Cinematographer Kazushige Tanaka keeps much of it in soft, naturalistic light. Night and dusk account for much of the film. Anamorphic glass shapes the frame. Focus stays shallow in most of the frames, isolating subjects from their surroundings.
What is the color palette of Gozu?
The dominant colors across the sampled frames of Gozu (2003) are #352e2a, #11100f, #d5caab, #d7d4c9, #534936, #52504b — measured from the per-frame color data FrameThrower extracts for every film.
#352e2a#11100f#d5caab#d7d4c9#534936#52504b
See the full Gozu colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
FrameThrower is a fully machine-searchable film database and visual reference library — all 39 frames of Gozu (2003), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.
Techniques in this film
More films by Takashi Miike
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