Godzilla vs. Mechagodzilla II (1993)
Directed by Takao Okawara · Cinematography by Yoshinori Sekiguchi, Kenichi Eguchi, Toshimitsu Ohneda
PG105 min65 frames
ActionAdventureDramaScience Fiction
The Birth of the End of the Century Tyrant.
Stills, screencaps & shots from Godzilla vs. Mechagodzilla II
16 of 65 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
What is Godzilla vs. Mechagodzilla II about?
The U.N.G.C.C. (United Nations Godzilla Countermeasure Center) recovers the remains of Mecha-King Ghidorah and construct Mechagodzilla as a countermeasure against Godzilla. Meanwhile, a giant egg is discovered along with a new monster called Rodan. The egg is soon found to be none other than an infant Godzillasaurus.
Where can you watch Godzilla vs. Mechagodzilla II?
US availability for Godzilla vs. Mechagodzilla II (1993). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in Godzilla vs. Mechagodzilla II?
Who made Godzilla vs. Mechagodzilla II?
Takao OkawaraDirector- Yoshinori SekiguchiCinematography
Kenichi EguchiCinematography
Shogo TomiyamaProducer
What does the cinematography of Godzilla vs. Mechagodzilla II look like?
Sampled across 63 frames, the coverage of Godzilla vs. Mechagodzilla II leans on wide compositions (41% of the sample) and medium shots (25%). Cinematographer Yoshinori Sekiguchi keeps 54% of it in soft, low-key light. Night and dusk account for 51% of the frames. Anamorphic glass shapes the frame. Deep focus keeps foreground and background readable at once in 65% of the frames. The production design places the film in the 1990s.
What is the color palette of Godzilla vs. Mechagodzilla II?
The dominant colors across the sampled frames of Godzilla vs. Mechagodzilla II (1993) are #32312e, #55534e, #151413, #75726d, #8e8975, #6e6755 — measured from the per-frame color data FrameThrower extracts for every film.
#32312e#55534e#151413#75726d#8e8975#6e6755
See the full Godzilla vs. Mechagodzilla II colour palette — every hex with its share, plus warmth, saturation and luminance.
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Techniques in this film
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