Domino (2005)
Directed by Tony Scott · Cinematography by Dan Mindel
R127 min54 frames
ActionCrimeDramaThriller
Heads You Live... Tails You Die.
Stills, screencaps & shots from Domino
16 of 54 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
Domino — official trailer
What is Domino about?
The story of the life of Domino Harvey, who abandoned her career as a Ford model to become a bounty hunter.
Domino is a 2005 action crime film directed by Tony Scott with a screenplay by Richard Kelly from a story by Kelly and Steve Barancik. An international co-production between France, the United States, and the United Kingdom, the film is inspired by Domino Harvey, the English daughter of stage and screen actor Laurence Harvey, who became a Los Angeles bounty hunter.
Second paragraph from Wikipedia, available under CC BY-SA 4.0.
Where can you watch Domino?
US availability for Domino (2005). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in Domino?
Who made Domino?
What does the cinematography of Domino look like?
Across 54 sampled frames, Domino builds its coverage from medium shots (56% of the sample), with wide compositions (35%) carrying much of the rest. Cinematographer Dan Mindel keeps 44% of it in soft, naturalistic light. 50% of the frames play at night or in the failing light of dusk. Anamorphic glass shapes the frame.
What is the color palette of Domino?
The dominant colors across the sampled frames of Domino (2005) are #322d29, #171614, #4e4f4c, #8a7967, #534b3a, #d0b28b — measured from the per-frame color data FrameThrower extracts for every film.
#322d29#171614#4e4f4c#8a7967#534b3a#d0b28b
See the full Domino colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
FrameThrower is a fully machine-searchable film database and visual reference library — all 54 frames of Domino (2005), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.
Techniques in this film
More films by Tony Scott
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