Cut (2000)
Directed by Kimble Rendall · Cinematography by David Foreman
R82 min21 frames
HorrorThriller
They just have to finish the movie… before it finishes them!
Stills, screencaps & shots from Cut
16 of 21 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















Cut — official trailer
What is Cut about?
A group of film students set out to finish filming a movie that was never completed after its director was murdered. After they begin filming, they realize they're in for a bit of trouble, not unlike the late director...
Where can you watch Cut?
US availability for Cut (2000). Provided by Streaming Availability API by Movie of the Night. Availability changes — check the provider for current listings.
Who stars in Cut?
Who made Cut?
What does the cinematography of Cut look like?
Sampled across 21 frames, the coverage of Cut leans on wide compositions and medium shots. Cinematographer David Foreman keeps almost all of it in soft, naturalistic light. This is largely a daylight film — most of the frames play in daylight. Anamorphic glass shapes the frame. Deep focus keeps foreground and background readable at once in most of the frames.
What is the color palette of Cut?
The dominant colors across the sampled frames of Cut (2000) are #32322d, #a9a890, #908c70, #56584b, #3d472f, #d6d4c7 — measured from the per-frame color data FrameThrower extracts for every film.
#32322d#a9a890#908c70#56584b#3d472f#d6d4c7
See the full Cut colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
FrameThrower is a fully machine-searchable film database and visual reference library — all 21 frames of Cut (2000), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.
Techniques in this film
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