Conquest (1983)

Directed by Lucio Fulci · Cinematography by Alejandro Ulloa

R88 min54 frames

AdventureFantasyActionHorror

In a place beyond time, comes a terrifying challenge beyond imagination!

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Stills, screencaps & shots from Conquest

16 of 54 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.

Conquest (1983) — © Clemi Cinematografica, Conquest Productions

Conquest — official trailer

What is Conquest about?

To mark his passage into manhood, young Ilias is gifted a magical bow by his father and embarks upon a journey into the wilderness to rid the land of evil, all the while battling the witch Ocron, who wishes to steal the bow for her own nefarious ends.

Where can you watch Conquest?

US availability for Conquest (1983). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.

Who stars in Conquest?

Who made Conquest?

What does the cinematography of Conquest look like?

Across 54 sampled frames, Conquest builds its coverage from medium shots (30% of the sample), with wide compositions (28%) carrying much of the rest. Cinematographer Alejandro Ulloa keeps 33% of it in silhouette light. 54% of the frames play at night or in the failing light of dusk. Vintage glass shapes the frame.

What is the color palette of Conquest?

The dominant colors across the sampled frames of Conquest (1983) are #302c30, #2c334a, #0e0b0f, #261410, #8d7b73, #463132 — measured from the per-frame color data FrameThrower extracts for every film.

  • #302c30
  • #2c334a
  • #0e0b0f
  • #261410
  • #8d7b73
  • #463132

See the full Conquest colour palette — every hex with its share, plus warmth, saturation and luminance.

A reference database for filmmakers

FrameThrower is a fully machine-searchable film database and visual reference library — all 54 frames of Conquest (1983), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.

Techniques in this film

More films by Lucio Fulci

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