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Don’t Torture A Duckling (1972)

Directed by Lucio Fulci · Cinematography by Sergio D'Offizi

105 min60 frames

Horror

A classic tale of the perverse from director Lucio Fulci.

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Stills, screencaps & shots from Don’t Torture A Duckling

16 of 60 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.

Don’t Torture A Duckling (1972) movie still: wide — A desolate, rocky ridge features sparse vegetation under a heavy, overcast sky. A lone figure…Don’t Torture A Duckling (1972) movie still: medium — An open sky with light clouds serves as the background for the shot. A man is positioned…Don’t Torture A Duckling (1972) movie still: closeup — A man in clerical clothing sits inside a dimly lit study beside a window. He holds a…Don’t Torture A Duckling (1972) movie still: closeup — A dark, rocky cave interior provides a textured backdrop behind the subject. A young man…Don’t Torture A Duckling (1972) movie still: wide — A narrow, stone-paved path bordered by stark white, lime-washed Mediterranean buildings rises…Don’t Torture A Duckling (1972) movie still: wide — A rain-slicked gas station lot at night is illuminated by a glowing service booth. A solitary…Don’t Torture A Duckling (1972) movie still: closeup — A close portrait shot focused on a woman's face against a bright background. The subject…Don’t Torture A Duckling (1972) movie still: medium — Two uniformed soldiers stand flanking a man in a light striped shirt. The group is positioned…Don’t Torture A Duckling (1972) movie still: medium — Three men in military uniforms stand in the darkness at a nighttime location. A bright light…Don’t Torture A Duckling (1972) movie still: closeup — An interior space is dimly lit with a person standing in the blurred background. A woman in…Don’t Torture A Duckling (1972) movie still: medium — A dark space with a single bright light source casting shadows behind a person. The subject…Don’t Torture A Duckling (1972) movie still: medium — An interior office space with sage green walls and a framed print. A man in a suit faces a…Don’t Torture A Duckling (1972) movie still: closeup — A dark, dimly lit indoor space with shadows obscuring the surroundings. A young woman with…Don’t Torture A Duckling (1972) movie still: medium — A living room interior with modern furniture and large windows overlooking exterior greenery.…Don’t Torture A Duckling (1972) movie still: closeup — Hand-drawn figures of people on lined paper lie on a desk. Small clumps of dark red substance…Don’t Torture A Duckling (1972) movie still: medium — A green mountainous landscape features a large concrete highway viaduct curving through the…
Don’t Torture A Duckling (1972) — © Medusa Produzione

Don’t Torture A Duckling — official trailer

What is Don’t Torture A Duckling about?

A reporter and a promiscuous young woman try to solve a series of child killings in a remote southern Italian town rife with superstition and a distrust of outsiders.

Where can you watch Don’t Torture A Duckling?

US availability for Don’t Torture A Duckling (1972). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.

Who stars in Don’t Torture A Duckling?

Who made Don’t Torture A Duckling?

What does the cinematography of Don’t Torture A Duckling look like?

Sampled across 60 frames, the coverage of Don’t Torture A Duckling leans on close-ups (40% of the sample) and medium shots (32%). Cinematographer Sergio D'Offizi keeps 48% of it in soft, naturalistic light. Anamorphic glass shapes the frame. Focus stays shallow in 70% of the frames, isolating subjects from their surroundings.

What is the color palette of Don’t Torture A Duckling?

The dominant colors across the sampled frames of Don’t Torture A Duckling (1972) are #2e2f2d, #0e0e0e, #52534c, #f4f4f4, #d7d5cd, #90928b — measured from the per-frame color data FrameThrower extracts for every film.

  • #2e2f2d
  • #0e0e0e
  • #52534c
  • #f4f4f4
  • #d7d5cd
  • #90928b

See the full Don’t Torture A Duckling colour palette — every hex with its share, plus warmth, saturation and luminance.

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Techniques in this film

More films by Lucio Fulci

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