Collateral Beauty (2016)
Directed by David Frankel · Cinematography by Maryse Alberti
PG-1397 min120 frames
DramaRomance
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Stills, screencaps & shots from Collateral Beauty
16 of 120 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















Collateral Beauty — official trailer
What is Collateral Beauty about?
Retreating from life after a tragedy, a man questions the universe by writing to Love, Time and Death. Receiving unexpected answers, he begins to see how these things interlock and how even loss can reveal moments of meaning and beauty.
Where can you watch Collateral Beauty?
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US availability for Collateral Beauty (2016). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in Collateral Beauty?
Who made Collateral Beauty?
What does the cinematography of Collateral Beauty look like?
Across 120 sampled frames, Collateral Beauty builds its coverage from medium shots (53% of the sample), with wide compositions (18%) carrying much of the rest. Cinematographer Maryse Alberti keeps 57% of it in soft, naturalistic light. 40% of the frames play at night or in the failing light of dusk. Anamorphic glass shapes the frame. Focus stays shallow in 75% of the frames, isolating subjects from their surroundings.
What is the color palette of Collateral Beauty?
The dominant colors across the sampled frames of Collateral Beauty (2016) are #322f2d, #f5f5f3, #514f4b, #d5d2cd, #121110, #948a78 — measured from the per-frame color data FrameThrower extracts for every film.
#322f2d#f5f5f3#514f4b#d5d2cd#121110#948a78
See the full Collateral Beauty colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
FrameThrower is a fully machine-searchable film database and visual reference library — all 120 frames of Collateral Beauty (2016), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.
Techniques in this film
More films by David Frankel
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