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Christ Stopped at Eboli (1979)

Directed by Francesco Rosi · Cinematography by Pasqualino De Santis

150 min64 frames

Drama

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Stills, screencaps & shots from Christ Stopped at Eboli

16 of 64 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.

Christ Stopped at Eboli (1979) movie still: wide — A rural Italian village features stone houses with arched entryways along a dusty path. A couple…Christ Stopped at Eboli (1979) movie still: medium — An elderly man peers out from behind a blue-painted window frame and metal balcony railing. He…Christ Stopped at Eboli (1979) movie still: wide — A dry, sparsely vegetated desert landscape features rolling hills beneath a large cloudy sky. A…Christ Stopped at Eboli (1979) movie still: medium — A dark bedroom with rough, unfinished stone walls and two antique iron-frame beds. A man lies…Christ Stopped at Eboli (1979) movie still: wide — A weathered, light-colored stucco exterior wall with a high window and a metal drainpipe. Two men…Christ Stopped at Eboli (1979) movie still: medium — A subterranean room with rough stone pillars and a dirt floor dimly lit by fire. Three men sit…Christ Stopped at Eboli (1979) movie still: establishing — An expanse of blue sky filled with a scattering of birds in flight. The birds appear as…Christ Stopped at Eboli (1979) movie still: establishing — A bright sun descends behind a dark, silhouetted mountain range at dusk. Out-of-focus…Christ Stopped at Eboli (1979) movie still: wide — An olive grove with gnarled trees stands in a field covered in wildflowers. Three people are…Christ Stopped at Eboli (1979) movie still: wide — A cluttered art studio features walls covered with framed paintings and drawings. An elderly…Christ Stopped at Eboli (1979) movie still: fullbody — A dry, grassy hillside cemetery under a clear, bright sky. An elderly man in period clothing…Christ Stopped at Eboli (1979) movie still: medium — A dark, spartan room features a metal wash basin and a simple bed. A woman washes the back of a…Christ Stopped at Eboli (1979) movie still: wide — A spacious room contains tall wooden bookshelves filled with leather-bound volumes and a…Christ Stopped at Eboli (1979) movie still: medium — A man looks over a rugged hillside toward a cluster of weathered white houses. In the distance,…Christ Stopped at Eboli (1979) movie still: wide — A dense cluster of weathered stone buildings climbs a barren hillside under an overcast sky.…Christ Stopped at Eboli (1979) movie still: wide — A rustic dining room with high vaulted ceilings and a large wooden table. A woman works at the…
Christ Stopped at Eboli (1979) — © RAI, Vides Cinematografica

Christ Stopped at Eboli — official trailer

What is Christ Stopped at Eboli about?

In the fascist Italy of 1935, a painter trained as a doctor is exiled to a remote region near Eboli. Over time, he learns to appreciate the beauty and wisdom of the peasants, and to overcome his isolation.

Who stars in Christ Stopped at Eboli?

Who made Christ Stopped at Eboli?

What does the cinematography of Christ Stopped at Eboli look like?

Across 64 sampled frames, Christ Stopped at Eboli builds its coverage from wide compositions (45% of the sample), with medium shots (25%) carrying much of the rest. Cinematographer Pasqualino De Santis keeps 66% of it in soft, naturalistic light. Daylight carries most of the picture. Vintage glass shapes the frame. Deep focus keeps foreground and background readable at once in 77% of the frames.

What is the color palette of Christ Stopped at Eboli?

The dominant colors across the sampled frames of Christ Stopped at Eboli (1979) are #33322f, #514f4d, #91918b, #d1d1ca, #b0afab, #90877a — measured from the per-frame color data FrameThrower extracts for every film.

  • #33322f
  • #514f4d
  • #91918b
  • #d1d1ca
  • #b0afab
  • #90877a

See the full Christ Stopped at Eboli colour palette — every hex with its share, plus warmth, saturation and luminance.

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