Blow Out (1981)
Directed by Brian De Palma · Cinematography by Vilmos Zsigmond
R108 min61 frames
CrimeMysteryThriller
Murder has a sound all of its own.
Stills, screencaps & shots from Blow Out
16 of 61 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















Blow Out — official trailer
What is Blow Out about?
While recording sound effects for a slasher flick, Jack Terry stumbles upon a real-life horror: a car careening off a bridge and into a river. Jack jumps into the water and fishes out Sally from the car, but the other passenger is already dead — a governor intending to run for president. As Jack does some investigating of his tapes, and starts a perilous romance with Sally, he enters a tangled web of conspiracy that might leave him dead.
Where can you watch Blow Out?
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US availability for Blow Out (1981). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in Blow Out?
Who made Blow Out?
What does the cinematography of Blow Out look like?
Sampled across 61 frames, the coverage of Blow Out leans on medium shots (51% of the sample) and close-ups (23%). Cinematographer Vilmos Zsigmond keeps 56% of it in soft, low-key light. Night and dusk account for 61% of the frames. Anamorphic glass shapes the frame. Focus stays shallow in 66% of the frames, isolating subjects from their surroundings.
What is the color palette of Blow Out?
The dominant colors across the sampled frames of Blow Out (1981) are #312e2d, #100b0b, #4e4c4d, #d7d4cd, #93918e, #8f1010 — measured from the per-frame color data FrameThrower extracts for every film.
#312e2d#100b0b#4e4c4d#d7d4cd#93918e#8f1010
See the full Blow Out colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
FrameThrower is a fully machine-searchable film database and visual reference library — all 61 frames of Blow Out (1981), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.
Techniques in this film
More films by Brian De Palma
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