Femme Fatale (2002)
Directed by Brian De Palma · Cinematography by Thierry Arbogast
R114 min52 frames
MysteryCrimeThriller
Nothing is more desirable or more deadly than a woman with a secret.
Stills, screencaps & shots from Femme Fatale
16 of 52 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
Femme Fatale — official trailer
What is Femme Fatale about?
A $10-million diamond rip-off, a stolen identity, a new life married to a diplomat. Laure Ash has risked big, won big. But then a tabloid shutterbug snaps her picture in Paris, and suddenly, enemies from Laure's secret past know who and where she is. And they all want their share of the diamond heist. Or her life. Or both.
Femme Fatale is a 2002 neo-noir erotic thriller film written and directed by Brian De Palma. The film stars Antonio Banderas and Rebecca Romijn. It was screened out of competition at the 2002 Cannes Film Festival.
Second paragraph from Wikipedia, available under CC BY-SA 4.0.
Where can you watch Femme Fatale?
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US availability for Femme Fatale (2002). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in Femme Fatale?
Who made Femme Fatale?
What does the cinematography of Femme Fatale look like?
Sampled across 52 frames, the coverage of Femme Fatale leans on medium shots (52% of the sample) and close-ups (27%). Cinematographer Thierry Arbogast keeps 48% of it in soft, naturalistic light. Night and dusk account for 44% of the frames. Anamorphic glass shapes the frame. Focus stays shallow in 71% of the frames, isolating subjects from their surroundings.
What is the color palette of Femme Fatale?
The dominant colors across the sampled frames of Femme Fatale (2002) are #333230, #131211, #4c504e, #8c8e8f, #d4d2cf, #adaeb0 — measured from the per-frame color data FrameThrower extracts for every film.
#333230#131211#4c504e#8c8e8f#d4d2cf#adaeb0
See the full Femme Fatale colour palette — every hex with its share, plus warmth, saturation and luminance.
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Techniques in this film
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