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Best Cemetery Movies

Ranked by how strongly each film carries the visual signature of cemetery cinema — measured across 1,442 indexed frames from 20 films, against a 408,752-frame catalogue baseline. Not by box office, and not by vote.

Cemetery films over-index on trench coat, book and blood — the objects that make the genre recognisable before a line is spoken.

  1. 1

    The Third Man (1949)

    Carol ReedDP Robert KraskerIMDb 8.1TMDB 7.9See in full on FrameThrower →

    An out of work pulp fiction novelist, Holly Martins, arrives in a post war Vienna divided into sectors by the victorious allies, and where a shortage of supplies has led to a flourishing black market. He arrives at the invitation of an ex-school friend, Harry Lime, who has offered him a job, only to discover that Lime has recently died in a peculiar traffic accident. From talking to Lime's friends and associates Martins soon notices that some of the stories are inconsistent, and determines to discover what really happened to Harry Lime.

  2. 2

    Night of the Living Dead (1968)

    George A. RomeroDP George A. RomeroIMDb 7.8TMDB 7.6See in full on FrameThrower →

    Barbra and Johnny visit their father's grave in a remote cemetery when they are suddenly set upon by zombies. Barbra manages to get away and takes refuge in what seems to be an abandoned farm house. She is soon joined by Ben who stopped at the house in need of gas. Beset by the walking dead all around them Ben does his best to secure the doors and windows. The news reports are grim however with creatures returning to life everywhere. Barbra and Ben are surprised when they realize there are 5 people hiding out in the basement: Harry, Helen and Karen Cooper; and a young couple, Tom and Judy. Dissensions sets in almost immediately with Harry Cooper wanting to be in charge. As their situation deteriorates, their chances of surviving the night lessen minute by minute.

  3. 3

    Holy Motors (2012)

    Leos CaraxDP Caroline ChampetierIMDb 7.0TMDB 7.0See in full on FrameThrower →

    We follow 24 hours in the life of a being moving from life to life like a cold and solitary assassin moving from hit to hit. In each of these interwoven lives, the being possesses an entirely distinct identity: sometimes a man, sometimes a woman, sometimes youthful, sometimes old. By turns murderer, beggar, company chairman, monstrous creature, worker, family man.

  4. 4

    I Saw The Devil (2010)

    Kim Jee-woonDP Lee Mo-gaeIMDb 7.8TMDB 7.8See in full on FrameThrower →

    SPOILER: Jang Kyung-chul (Choi Min-sik) is a dangerous psychopath serial killer. He has committed infernal serial murders in diabolic ways that one cannot even imagine and his victims range from young women to even children. The police have chased him for a long time, but were unable to catch him. One day, Joo-yeon, daughter of a retired police chief becomes his prey and is found dead in a horrific state. Her fiancé Soo-hyun (Lee Byung-hun), a top secret agent, decides to track down the murderer himself. He promises himself that he will do everything in his power to take bloody vengeance against the killer, even if it means that he must become a monster himself to get this monstrous and inhumane killer.

  5. 5

    Carrie (1976)

    Brian De PalmaDP Mario TosiIMDb 7.4TMDB 7.3See in full on FrameThrower →

    It's nearing the end of the school year. High school senior Carrie White is a social outcast, largely due to being unwise to the ways of the world based on her upbringing. Her mother, Margaret White, is a religious fanatic, her extreme views primarily targeted against sex, which she believes is a sin. She even believes natural associated processes such as menstruation are a sin, about which she has refused to mention to Carrie. Mrs. White's beliefs were taken to that extreme largely because of her own failed marriage and her husband Ralph long ago having run off with another woman. The only adult authority figure who tries to help Carrie with her life is her phys ed teacher, Miss Collins, who is nonetheless warned not to get too close to go against how Mrs. White chooses to raise Carrie, Mrs. White whose beliefs are well known in the community. An impromptu event that happens among Carrie's phys ed classmates against her leads to her classmates being punished. One of those students, self absorbed Chris Hargensen, vows revenge against Carrie for that punishment, the method of the revenge associated to the phys ed class incident. Another student however, the popular Sue Snell, begins to feel sorry for Carrie. In wanting to help her get out of her shell, Sue asks her boyfriend, the equally popular Tommy Ross, to take Carrie to the senior prom instead of her. This move does not sit well with Mrs. White, who in her extreme view believes Carrie will fall prey to sin. All these competing issues lead to Carrie deciding on an impulse to use a newfound skill to free herself from the figurative chains that have long been placed around her, with tragic consequences.

  6. 6

    The Bride of Frankenstein (1935)

    James WhaleDP John J. MescallIMDb 7.8TMDB 7.5See in full on FrameThrower →

    Dr. Frankenstein and his monster both turn out to be alive, not killed as previously believed. Dr. Frankenstein wants to get out of the evil experiment business, but when a mad scientist, Dr. Pretorius, kidnaps his wife, Dr. Frankenstein agrees to help him create a new creature, a woman, to be the companion of the monster.

  7. 7

    Harold and Maude (1971)

    Hal AshbyDP John A. AlonzoIMDb 7.8TMDB 7.6See in full on FrameThrower →

    Young adult Harold Chasen, solitary and friendless by choice, is obsessed with death, this fascination manifesting itself in he staging his own fake suicides, driving a hearse and attending funerals, even of people he doesn't know, all to the chagrin of his exasperated wealthy mother with whom he lives. Mrs. Chasen is determined for Harold to be "normal", including her sending him into therapy to deal with his issues and finding him a girlfriend through a computer dating service. It is at a series of funerals that Harold meets Maude, on the cusp of her eightieth birthday, she who too attends funerals of strangers. Unlike Harold, Maude is obsessed with life - her own life to be more precise - she does whatever she wants to please herself, damned what others may think or how they may be affected. Since she can't take material possessions with her, she is more interested in experiences, with whatever material possessions she has - often "borrowed" without asking - only to further those experiences. Their friendship is initially based on how the other can further their own priority. But as Maude shows Harold how to truly live, Harold falls in love with her. Their relationship, already limited in time by the sheer math, is curtailed even more as Maude shows him only not how to live well, but die well.

  8. 8

    The Wicker Man

    Robin HardyDP Harry WaxmanIMDb 7.5TMDB 7.3See in full on FrameThrower →

    On Sunday, April 29, 1973, Sergeant Neil Howie with the West Highland Constabulary flies solo to Summerisle off the coast of Scotland. He is there to follow up on a letter addressed specifically to him from an anonymous source on Summerisle reporting that a twelve year old girl who lives on the island, Rowan Morrison, the daughter of May Morrison, has long been missing. The correspondence includes a photograph of Rowan. Upon his arrival on Summerisle, Howie finds that the locals are a seemingly simple minded lot who provide little information beyond the fact that they know of no Rowan Morrison and do not know the girl in the photo. Mrs. Morrison admits to having a daughter, seven year old Myrtle, but no Rowan. As Howie speaks to more and more people, he begins to believe that Rowan does or did live on the island, but that the locals are hiding their knowledge of her. He also begins to see that the locals all have pagan beliefs, their "religion" which centers on procreation as the source of life. That procreation does not necessarily need to be within marriage, and openly flaunts the act of sex, both in private and in public. These beliefs do not sit well against Howie's strict Christian morals, he who regularly attends church, prays, and accepts communion. Everything that happens on the island seems to be dictated by Lord Summerisle, whose ancestors bought the island generations ago. Howie begins to believe that Rowan was murdered, she a sacrifice by the islanders to their higher power to ensure a bountiful apple crop - the main crop of the island - which did not materialize last season. With May Day approaching, Howie not only tries to find out if Rowan was indeed murdered/sacrificed, which includes trying to locate her body, but if there will be another sacrifice on this important day within the cycle of life.

What cemetery films are made of

How much more often each element appears in a cemetery frame than in an average frame from the catalogue. A ratio, not a share — trench coat is not in most frames, it is simply far more common here than anywhere else.

  • trench coat3.9×
  • book2.2×
  • blood2.2×
  • streetlamp2.1×
  • fedora1.8×
  • doorway1.8×
  • coat1.8×
  • shadow1.7×

How cemetery films are shot

Weaker signals than the objects above, and worth saying so: most dramatic genres skew dark and night-heavy, so these numbers separate cemetery from the catalogue far more than they separate it from its neighbours.

  • 28%dayvs 42% baseline
  • 30%naturalvs 43% baseline
  • 61%nightvs 43% baseline
  • 54%low keyvs 40% baseline

What breaks the pattern

On The Road (2012) is the least typical film here — it carries the least of what the rest of this list is made of. Which is either a failure of the genre label, or the most interesting film on the page.

Method

Every frame in the FrameThrower catalogue is tagged for shot size, lighting, time of day, camera angle, colour and the objects visible in it. This page aggregates those tags across 1,442 frames from 20 films carrying the cemetery label, and compares each figure to the same measurement across the whole catalogue (408,752 frames). Films are ranked by how closely they match the theme’s over-indexed elements, weighted by how distinctive each element is; one film per series. Only films with at least 20 indexed frames and 500 TMDB votes are listed.

Machine-readable: /api/list/cemetery

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