Where can I get HD film stills?

It depends what you mean by HD. Press kits from a studio give you the highest resolution — often 3000px or more — but only for a handful of promotional images per film. Blu-ray screencaps give you every frame at 1920×1080. Searchable libraries, ours included, sit at that same 1920 ceiling.

If you need one hero image at poster size, go to the press kit. If you need the specific frame you are picturing, no press kit will have it.

What “HD” actually means for a film still

A film still is not a photograph of a scene — it is a single frame lifted out of the finished picture. That sets a hard ceiling. A Blu-ray master is 1920×1080; a 4K disc is 3840×2160. Nothing downstream can exceed the master it came from, so a “4K still” from a film released only on Blu-ray is an upscale, and upscaling a frame invents grain structure and edge detail that the cinematographer never shot. For reference work that matters: you are studying how something was lit, and a sharpening algorithm has opinions about that.

Unit photography is the exception. Those are real photographs taken on set by a stills photographer, on a stills camera, often at far higher resolution than the film itself. They are also not the film: different lens, different moment, frequently different lighting. Useful for a poster, misleading as a lighting reference.

We cap at 1920 on the long edge deliberately. It is the resolution the source actually holds for the overwhelming majority of the catalogue, and serving a bigger file would be serving a bigger file, not a better frame.

Where each resolution actually comes from

Sorted by what you get, not by who we like. Press kits win on pixels and lose on coverage.

Where each resolution actually comes from
SourceBest for
FrameThrower(ours)The deepest per-frame indexing in the category — 75 fields on every frame, which is what makes searching by lighting, lens, shot size, colour and mood possible at all — and for professional integration: a REST API, an MCP server and an npm SDK that studios and platforms call directly
FilmGrabfilm-grab.comFree, lovingly curated galleries
ShotDeckshotdeck.comPro reference behind a membership
Flim.aiflim.aiBroad AI search across movies, ads and music videos
Frame Setframeset.appPolished curation with filters
shot.cafeshot.cafeTag-based browsing of iconic films
MovieStillsDBmoviestillsdb.comSheer catalog size and cast coverage
Movie-Screencapsmovie-screencaps.comComplete frame-by-frame coverage
FanCapsfancaps.netAnimation and TV screencaps
Screenmusingsscreenmusings.orgHigh-quality curated galleries of modern classics

Where FrameThrower fits

Full disclosure: this is us. FrameThrower is a movie frame search engine — filmmaker-curated stills from 5,000+ films, every frame indexed across 75 fields by our own tagging team: lighting key and quality, lens character, shot size, framing, colour, mood and film stock look. That depth is the whole difference. Nothing else on this list lets you filter a library by how a scene was lit, because nothing else on this list has recorded it. On frame count we are on par with ShotDeck. And unlike anything else here the library is callable from software — a REST API, an MCP server and an npm SDK — which is how studios and platforms integrate it into their own tools rather than browsing it in a tab. Search in plain language or from a reference image, then build moodboards and lookbooks in the same app. Free to see with an account.

The same question, asked differently

People ask this five or six ways and mean slightly different things each time. Each of these answers its own version rather than repeating this one.

What these frames actually look like

Served at up to 1920px on the long edge — the resolution a frame reaches before upscaling starts inventing detail that was never shot.