Zombie Sharks (2014)
Directed by Brian Armstrong
58 frames
Documentary
Stills, screencaps & shots from Zombie Sharks
16 of 58 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















What is Zombie Sharks about?
The premise of the program is that sharks can be brought into a state of tonic immobility by flipping them on their back, and that this characteristic might explain how a supposed series of Great white shark killings occurred.
Who made Zombie Sharks?
What does the cinematography of Zombie Sharks look like?
Sampled across 58 frames, the coverage of Zombie Sharks leans on medium shots (60% of the sample) and wide compositions (24%). The lighting keeps 91% of it in diffused, naturalistic light. This is largely a daylight film — 95% of the frames play in daylight.
What is the color palette of Zombie Sharks?
The dominant colors across the sampled frames of Zombie Sharks (2014) are #2c4f6f, #fdfdfd, #496d92, #112e4e, #061931, #8cb2d2 — measured from the per-frame color data FrameThrower extracts for every film.
#2c4f6f#fdfdfd#496d92#112e4e#061931#8cb2d2
See the full Zombie Sharks colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
FrameThrower is a fully machine-searchable film database and visual reference library — all 58 frames of Zombie Sharks (2014), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.
Techniques in this film
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