Vendetta (2022)

Directed by Jared Cohn · Cinematography by Brandon Cox

R96 min159 frames

ActionCrime

It's personal.

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Stills, screencaps & shots from Vendetta

16 of 159 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.

Vendetta (2022) — © The Exchange, 308 Enterprises

Vendetta — official trailer

What is Vendetta about?

When his daughter is murdered, William Duncan takes the law into his own hands, setting out on a quest for retribution. After killing the street thug responsible for her death, he finds himself in the middle of a war with the thug's brother, father, and their gang, who are equally hell-bent on getting even. What ensues is a tense back-and-forth game of vengeance. By the end, William comes to find that the quest for revenge never has a winner.

Where can you watch Vendetta?

US availability for Vendetta (2022). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.

Who stars in Vendetta?

Who made Vendetta?

What does the cinematography of Vendetta look like?

Across 159 sampled frames, Vendetta builds its coverage from medium shots (57% of the sample), with close-ups (19%) carrying much of the rest. Cinematographer Brandon Cox keeps 59% of it in soft, naturalistic light. Focus stays shallow in 66% of the frames, isolating subjects from their surroundings.

What is the color palette of Vendetta?

The dominant colors across the sampled frames of Vendetta (2022) are #342f2a, #575047, #161411, #46392e, #8b7c6c, #2a231c — measured from the per-frame color data FrameThrower extracts for every film.

  • #342f2a
  • #575047
  • #161411
  • #46392e
  • #8b7c6c
  • #2a231c

See the full Vendetta colour palette — every hex with its share, plus warmth, saturation and luminance.

A reference database for filmmakers

FrameThrower is a fully machine-searchable film database and visual reference library — all 159 frames of Vendetta (2022), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.

Techniques in this film

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