Une Femme Est Une Femme (A Woman Is a Woman) (1961)
Directed by Jean-Luc Godard · Cinematography by Raoul Coutard
84 min58 frames
ComedyDramaRomance
Is this a tragedy or a comedy? Either way, it's a masterpiece.
Stills, screencaps & shots from Une Femme Est Une Femme (A Woman Is a Woman)
16 of 58 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
Une Femme Est Une Femme (A Woman Is a Woman) — official trailer
What is Une Femme Est Une Femme (A Woman Is a Woman) about?
Longing for a baby, a stripper pursues another man in order to make her boyfriend jealous.
Who stars in Une Femme Est Une Femme (A Woman Is a Woman)?
Who made Une Femme Est Une Femme (A Woman Is a Woman)?
What does the cinematography of Une Femme Est Une Femme (A Woman Is a Woman) look like?
Sampled across 58 frames, the coverage of Une Femme Est Une Femme (A Woman Is a Woman) leans on medium shots (59% of the sample) and close-ups (24%). Cinematographer Raoul Coutard keeps 48% of it in soft, naturalistic light. Night and dusk account for 48% of the frames. Anamorphic glass shapes the frame. Focus stays shallow in 69% of the frames, isolating subjects from their surroundings. The production design places the film in the 1960s.
What is the color palette of Une Femme Est Une Femme (A Woman Is a Woman)?
The dominant colors across the sampled frames of Une Femme Est Une Femme (A Woman Is a Woman) (1961) are #f5f4f4, #d5d3cf, #35302e, #4f4e4d, #d42f2e, #0c0a0a — measured from the per-frame color data FrameThrower extracts for every film.
#f5f4f4#d5d3cf#35302e#4f4e4d#d42f2e#0c0a0a
See the full Une Femme Est Une Femme (A Woman Is a Woman) colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
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Techniques in this film
More films by Jean-Luc Godard
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