Todo es amor (2024)
Directed by Julia Olivares, Andrés Paz Geuse, Gabriel Ojeda, Santiago Nahuel Vicario Caram, Mariano Peso Gisbert, Andy Ceriani · Cinematography by Julia Olivares, Andrés Paz Geuse, Gabriel Ojeda, Santiago Nahuel Vicario Caram, Mariano Peso Gisbert, Andy Ceriani
135 frames
Music
Stills, screencaps & shots from Todo es amor
16 of 135 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















What is Todo es amor about?
Members of the university community with musical concerns and developments come together in a collective activity that expands the work objective. The Orchestra, while continuing to be a space for meeting and recreation, is transformed into art, cultural dissemination and a life destination. The Orchestra portrays one more facet of what makes National Public Education possible.
Who made Todo es amor?
- Julia OlivaresDirector
- Andrés Paz GeuseDirector
- Gabriel OjedaCinematography
- Santiago Nahuel Vicario CaramCinematography
- Mariano Peso GisbertProducer
- Andy CerianiProducer
What does the cinematography of Todo es amor look like?
Across 135 sampled frames, medium shots dominate the coverage of Todo es amor (77% of the sample). Cinematographer Julia Olivares keeps 63% of it in soft, naturalistic light. Daylight carries most of the picture. Focus stays shallow in 88% of the frames, isolating subjects from their surroundings.
What is the color palette of Todo es amor?
The dominant colors across the sampled frames of Todo es amor (2024) are #342e2b, #f7f6f4, #4a372e, #131110, #d0b18e, #d5c5ac — measured from the per-frame color data FrameThrower extracts for every film.
#342e2b#f7f6f4#4a372e#131110#d0b18e#d5c5ac
See the full Todo es amor colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
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Techniques in this film
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