To Die For (1995)
Directed by Gus Van Sant · Cinematography by Eric Alan Edwards
R106 min64 frames
DramaComedyCrime
All she wanted was a little attention.
Stills, screencaps & shots from To Die For
16 of 64 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
What is To Die For about?
Suzanne Stone wants to be a world-famous news anchor and she is willing to do anything to get what she wants. What she lacks in intelligence, she makes up for in cold determination and diabolical wiles. As she pursues her goal with relentless focus, she is forced to destroy anything and anyone that may stand in her way, regardless of the ultimate cost or means necessary.
Where can you watch To Die For?
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US availability for To Die For (1995). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in To Die For?
Who made To Die For?
What does the cinematography of To Die For look like?
Sampled across 64 frames, the coverage of To Die For leans on medium shots (55% of the sample) and close-ups (25%). Cinematographer Eric Alan Edwards keeps 39% of it in soft, naturalistic light. Focus stays shallow in 75% of the frames, isolating subjects from their surroundings. The production design places the film in the 1990s.
What is the color palette of To Die For?
The dominant colors across the sampled frames of To Die For (1995) are #333030, #d2d1cf, #0d0d0d, #4e4e4f, #8a8a8c, #aaaaaa — measured from the per-frame color data FrameThrower extracts for every film.
#333030#d2d1cf#0d0d0d#4e4e4f#8a8a8c#aaaaaa
See the full To Die For colour palette — every hex with its share, plus warmth, saturation and luminance.
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Techniques in this film
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