Three Colours: Red (1994)
Directed by Krzysztof Kieślowski · Cinematography by Piotr Sobociński
R99 min57 frames
DramaMysteryRomance
The invisible thread of destinies.
Stills, screencaps & shots from Three Colours: Red
16 of 57 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















Three Colours: Red — official trailer
What is Three Colours: Red about?
Part-time model Valentine unexpectedly befriends a retired judge after she runs over his dog. At first, the grumpy man shows no concern about the dog, and Valentine decides to keep it. But the two form a bond when she returns to his house and catches him listening to his neighbors’ phone calls.
Where can you watch Three Colours: Red?
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US availability for Three Colours: Red (1994). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in Three Colours: Red?
Who made Three Colours: Red?
What does the cinematography of Three Colours: Red look like?
Across 57 sampled frames, Three Colours: Red builds its coverage from medium shots (35% of the sample), with close-ups (35%) carrying much of the rest. Cinematographer Piotr Sobociński keeps 46% of it in soft, low-key light. 40% of the frames play at night or in the failing light of dusk. Vintage glass shapes the frame. Focus stays shallow in 70% of the frames, isolating subjects from their surroundings. The production design places the film in the 1990s.
What is the color palette of Three Colours: Red?
The dominant colors across the sampled frames of Three Colours: Red (1994) are #332f2c, #545049, #4a3833, #0f0c0c, #d5d3cf, #8e8777 — measured from the per-frame color data FrameThrower extracts for every film.
#332f2c#545049#4a3833#0f0c0c#d5d3cf#8e8777
See the full Three Colours: Red colour palette — every hex with its share, plus warmth, saturation and luminance.
Three Colours: Red ranks in
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Techniques in this film
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