The Vault (2017)

Stills, screencaps & shots from The Vault

16 of 108 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.

The Vault — official trailer

Play the official trailer

What is The Vault about?

Two estranged sisters are forced to rob a bank in order to save their brother. But this is no ordinary bank.

The Vault is a 2017 American horror film directed by Dan Bush, written by Bush and Conal Byrne, and starring Francesca Eastwood, Taryn Manning, Scott Haze, Q'orianka Kilcher, Clifton Collins Jr., and James Franco. It was released on September 1, 2017, by FilmRise.

Second paragraph from Wikipedia, available under CC BY-SA 4.0.

Where can you watch The Vault?

• Amazon Prime VideoStream
• fuboTVStream
• Amazon Prime Video with AdsStream
• Howdy Amazon ChannelStream
• HooplaFree
• FawesomeFree
• Amazon VideoRent
• Apple TV StoreRent

US availability for The Vault (2017). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.

Who stars in The Vault?

• James Francoas Ed Mass
• Taryn Manningas Vee Dillon
• Francesca Eastwoodas Leah Dillon

Who made The Vault?

• Dan BushDirector
• Andrew ShulkindCinematography
• TTom ButterfieldProducer
• AAlex CutlerProducer
• LLuke DanielsProducer

What does the cinematography of The Vault look like?

Sampled across 102 frames, the coverage of The Vault leans on close-ups (46% of the sample) and medium shots (41%). Cinematographer Andrew Shulkind keeps 59% of it in soft, low-key light. Night and dusk account for 60% of the frames. Anamorphic glass shapes the frame. Focus stays shallow in 89% of the frames, isolating subjects from their surroundings.

What is the color palette of The Vault?

The dominant colors across the sampled frames of The Vault (2017) are #11100d, #32312c, #4d4836, #55534b, #2a2719, #918a76 — measured from the per-frame color data FrameThrower extracts for every film.

• #11100d
• #32312c
• #4d4836
• #55534b
• #2a2719
• #918a76

See the full The Vault colour palette — every hex with its share, plus warmth, saturation and luminance.

Techniques in this film

• Anamorphic Lens Shots
• Shallow Depth of Field
• Night Scenes
• Low-Key Lighting
• Close-Up Shots

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• The Innocents (1961)
• The Invisible Man (1933) (1933)
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