The Royal Tenenbaums (2001)
Directed by Wes Anderson · Cinematography by Robert D. Yeoman
R110 min58 frames
ComedyDrama
Family isn't a word ... It's a sentence.
Stills, screencaps & shots from The Royal Tenenbaums
16 of 58 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
The Royal Tenenbaums — official trailer
What is The Royal Tenenbaums about?
Royal Tenenbaum and his wife Etheline had three children and then they separated. All three children are extraordinary --- all geniuses. Virtually all memory of the brilliance of the young Tenenbaums was subsequently erased by two decades of betrayal, failure, and disaster. Most of this was generally considered to be their father's fault. "The Royal Tenenbaums" is the story of the family's sudden, unexpected reunion one recent winter.
Where can you watch The Royal Tenenbaums?
US availability for The Royal Tenenbaums (2001). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in The Royal Tenenbaums?
Who made The Royal Tenenbaums?
What does the cinematography of The Royal Tenenbaums look like?
Across 58 sampled frames, medium shots dominate the coverage of The Royal Tenenbaums (67% of the sample). Cinematographer Robert D. Yeoman keeps 57% of it in soft, naturalistic light. Daylight carries most of the picture. Anamorphic glass shapes the frame. Focus stays shallow in 57% of the frames, isolating subjects from their surroundings. The production design places the film in the 2000s.
What is the color palette of The Royal Tenenbaums?
The dominant colors across the sampled frames of The Royal Tenenbaums (2001) are #32322c, #ede7d3, #d1b491, #d6ac74, #fcfaf7, #0d0c0c — measured from the per-frame color data FrameThrower extracts for every film.
#32322c#ede7d3#d1b491#d6ac74#fcfaf7#0d0c0c
See the full The Royal Tenenbaums colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
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Techniques in this film
More films by Wes Anderson
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