The Rover (2014)
Directed by David Michôd · Cinematography by Natasha Braier
R103 min57 frames
CrimeDrama
Fear the man with nothing left to lose.
Stills, screencaps & shots from The Rover
16 of 57 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















The Rover — official trailer
What is The Rover about?
Ten years after a severe economic collapse in the western world, lawlessness reigns and life is cheap. Eric is a lone drifter, and his car is his only possession. When a gang steals it, Eric comes across the injured Rey, left behind by the car thieves. The pair form an unlikely and uneasy alliance.
Where can you watch The Rover?
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US availability for The Rover (2014). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in The Rover?
Who made The Rover?
What does the cinematography of The Rover look like?
Across 56 sampled frames, The Rover builds its coverage from medium shots (50% of the sample), with wide compositions (29%) carrying much of the rest. Cinematographer Natasha Braier keeps 52% of it in soft, naturalistic light. 41% of the frames play at night or in the failing light of dusk. Anamorphic glass shapes the frame. Focus stays shallow in 63% of the frames, isolating subjects from their surroundings.
What is the color palette of The Rover?
The dominant colors across the sampled frames of The Rover (2014) are #2e302a, #54534b, #aba997, #74766d, #8e8b77, #cdcab5 — measured from the per-frame color data FrameThrower extracts for every film.
#2e302a#54534b#aba997#74766d#8e8b77#cdcab5
See the full The Rover colour palette — every hex with its share, plus warmth, saturation and luminance.
The Rover ranks in
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Techniques in this film
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