The Master (2012)
Directed by Paul Thomas Anderson · Cinematography by Mihai Malaimare Jr., Barry Idoine
R138 min63 frames
Drama
Stills, screencaps & shots from The Master
16 of 63 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















The Master — official trailer
What is The Master about?
Freddie, a volatile, heavy-drinking veteran who suffers from post-traumatic stress disorder, finds some semblance of a family when he stumbles onto the ship of Lancaster Dodd, the charismatic leader of a new "religion" he forms after World War II.
Where can you watch The Master?
Amazon Prime VideoStream
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US availability for The Master (2012). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in The Master?
Who made The Master?
What does the cinematography of The Master look like?
Across 63 sampled frames, The Master builds its coverage from medium shots (44% of the sample), with close-ups (22%) carrying much of the rest. Cinematographer Mihai Malaimare Jr. keeps 49% of it in soft, naturalistic light. Daylight carries most of the picture. Focus stays shallow in 57% of the frames, isolating subjects from their surroundings. The production design places the film in the 1950s.
What is the color palette of The Master?
The dominant colors across the sampled frames of The Master (2012) are #2f2c2a, #121110, #535149, #4e4837, #d6d3cc, #757368 — measured from the per-frame color data FrameThrower extracts for every film.
#2f2c2a#121110#535149#4e4837#d6d3cc#757368
See the full The Master colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
FrameThrower is a fully machine-searchable film database and visual reference library — all 63 frames of The Master (2012), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.
Techniques in this film
More films by Paul Thomas Anderson
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