The Holy Girl (2004)
Directed by Lucrecia Martel · Cinematography by Félix "Chango" Monti
R106 min115 frames
Drama
She is both temptation and salvation.
Stills, screencaps & shots from The Holy Girl
16 of 115 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
The Holy Girl — official trailer
What is The Holy Girl about?
Amalia is an adolescent girl who is caught in the throes of her emerging sexuality and her deeply held passion for her Catholic faith. These two drives mingle when the visiting Dr. Jano takes advantage of a crowd to get inappropriately close to the girl. Repulsed by him but inspired by an inner burning, Amalia decides it is her God-given mission to save the doctor from his behavior, and she begins to stalk Dr. Jano, becoming a most unusual voyeur.
Where can you watch The Holy Girl?
US availability for The Holy Girl (2004). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in The Holy Girl?
Who made The Holy Girl?
What does the cinematography of The Holy Girl look like?
Across 115 sampled frames, The Holy Girl builds its coverage from medium shots (72% of the sample), with close-ups (23%) carrying much of the rest. Cinematographer Félix "Chango" Monti keeps 63% of it in soft, naturalistic light. Vintage glass shapes the frame. Focus stays shallow in 90% of the frames, isolating subjects from their surroundings.
What is the color palette of The Holy Girl?
The dominant colors across the sampled frames of The Holy Girl (2004) are #342e2c, #544d4a, #a7998e, #8b7a70, #483934, #d6d1c9 — measured from the per-frame color data FrameThrower extracts for every film.
#342e2c#544d4a#a7998e#8b7a70#483934#d6d1c9
See the full The Holy Girl colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
FrameThrower is a fully machine-searchable film database and visual reference library — all 115 frames of The Holy Girl (2004), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.
Techniques in this film
More films by Lucrecia Martel
More Drama films
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