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The Good Neighbor (2022)

Directed by Stephan Rick · Cinematography by Stefan Ciupek

R106 min208 frames

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Stills, screencaps & shots from The Good Neighbor

16 of 208 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.

The Good Neighbor (2022) movie still: establishing — A wide view of a modern cityscape features high-rise towers and dense urban architecture. The…The Good Neighbor (2022) movie still: establishing — A body of water contains the roof of a submerged vehicle. The pale metal surface of the car…The Good Neighbor (2022) movie still: medium — A dimly lit interior room features two men sitting in close proximity to each other. One man looks at…The Good Neighbor (2022) movie still: closeup — A dimly lit room provides a shadowed environment for a conversation between two people. The woman in…The Good Neighbor (2022) movie still: wide — A dark car is parked in a tree-lined driveway in front of a wood-paneled garage. The vehicle has its…The Good Neighbor (2022) movie still: medium — A minimalist office contains a white desk, a map on the wall, and a plant. An older man stands behind…The Good Neighbor (2022) movie still: medium — A rural dirt path sits adjacent to a small pond under clear daylight. A man in a green jacket pushes…The Good Neighbor (2022) movie still: medium — A dark sedan is parked on a wet grassy area near a wooden building. A man in a dark blazer steps out…The Good Neighbor (2022) movie still: medium — A dimly lit garage interior features dark walls and industrial equipment in the background. A man…The Good Neighbor (2022) movie still: closeup — A dimly lit room contains a person seen over the shoulder of another. The young woman looks intently…The Good Neighbor (2022) movie still: medium — A dimly lit interior space with a dark background. A middle-aged man in a sweater looks ahead while…The Good Neighbor (2022) movie still: medium — A crowded dimly lit nightclub interior with a bright glowing neon cross on the wall. A woman looks at…The Good Neighbor (2022) movie still: wide — A wooden cabin stands in a clearing surrounded by a dense pine forest. A patterned rug hangs from a…The Good Neighbor (2022) movie still: medium — A man in a leather jacket stands on a European-style cobblestone street. He reaches his hand out to…The Good Neighbor (2022) movie still: medium — A dimly lit room contains a bed against a wall with a large abstract painting. A man sits on the edge…The Good Neighbor (2022) movie still: wide — A spacious conference hall features wood-paneled walls and floor-to-ceiling windows overlooking a park.…
The Good Neighbor (2022) — © Forma Pro Films, Altit Media Group

The Good Neighbor — official trailer

What is The Good Neighbor about?

A nightmarish evening unfolds for neighbors David and Robert when they accidentally hit a woman on her bike and flee the scene. While David is increasingly plagued by feelings of guilt, Robert shows no remorse and becomes overbearing and possessive.

Where can you watch The Good Neighbor?

US availability for The Good Neighbor (2022). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.

Who stars in The Good Neighbor?

Who made The Good Neighbor?

What does the cinematography of The Good Neighbor look like?

Sampled across 200 frames, the coverage of The Good Neighbor leans heavily on medium shots (67% of the sample). Cinematographer Stefan Ciupek keeps 49% of it in soft, naturalistic light. Night and dusk account for 40% of the frames. Focus stays shallow in 88% of the frames, isolating subjects from their surroundings.

What is the color palette of The Good Neighbor?

The dominant colors across the sampled frames of The Good Neighbor (2022) are #2f2f2f, #4e514f, #141415, #8d8e8b, #d3d3d0, #747471 — measured from the per-frame color data FrameThrower extracts for every film.

  • #2f2f2f
  • #4e514f
  • #141415
  • #8d8e8b
  • #d3d3d0
  • #747471

See the full The Good Neighbor colour palette — every hex with its share, plus warmth, saturation and luminance.

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