The Good Girl (2002)
Directed by Miguel Arteta · Cinematography by Enrique Chediak
R93 min64 frames
DramaComedyRomance
It's her last best chance... is she going to take it?
Stills, screencaps & shots from The Good Girl
16 of 64 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
The Good Girl — official trailer
What is The Good Girl about?
A discount store clerk strikes up an affair with a stock boy who considers himself the incarnation of Holden Caulfield.
Who stars in The Good Girl?
Who made The Good Girl?
What does the cinematography of The Good Girl look like?
Sampled across 63 frames, the coverage of The Good Girl leans on medium shots (62% of the sample) and wide compositions (17%). Cinematographer Enrique Chediak keeps 54% of it in soft, naturalistic light. Night and dusk account for 43% of the frames. Focus stays shallow in 70% of the frames, isolating subjects from their surroundings. The production design places the film in the 2000s.
What is the color palette of The Good Girl?
The dominant colors across the sampled frames of The Good Girl (2002) are #2f2e2e, #4f4e4c, #2f3a4b, #a69a8d, #90908e, #505a6b — measured from the per-frame color data FrameThrower extracts for every film.
#2f2e2e#4f4e4c#2f3a4b#a69a8d#90908e#505a6b
See the full The Good Girl colour palette — every hex with its share, plus warmth, saturation and luminance.
The Good Girl ranks in
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Techniques in this film
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