The Giant (2019)
Directed by David Raboy · Cinematography by Eric K. Yue
99 min60 frames
CrimeMysteryThrillerHorror
Wherever you run, you will never forget.
Stills, screencaps & shots from The Giant
16 of 60 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















The Giant — official trailer
What is The Giant about?
When her first love suddenly reappears in her small Georgia town the same night that a series of killings begin, Charlotte is forced to reconcile her past and present, her traumas and nostalgia, as it becomes increasingly clear that her life is at risk in ways she never imagined.
Where can you watch The Giant?
Amazon Prime VideoStream
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US availability for The Giant (2019). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in The Giant?
Who made The Giant?
David RaboyDirector
Eric K. YueCinematography- Gary FarkasProducer
- Rachael FungProducer
- Clément LepoutreProducer
What does the cinematography of The Giant look like?
Across 54 sampled frames, The Giant builds its coverage from close-ups (41% of the sample), with medium shots (30%) carrying much of the rest. Cinematographer Eric K. Yue keeps 76% of it in soft, low-key light. 85% of the frames play at night or in the failing light of dusk. Anamorphic glass shapes the frame. Focus stays shallow in 78% of the frames, isolating subjects from their surroundings.
What is the color palette of The Giant?
The dominant colors across the sampled frames of The Giant (2019) are #0d0e0e, #2d2e2c, #2a160e, #0d172d, #8a716d, #1b2832 — measured from the per-frame color data FrameThrower extracts for every film.
#0d0e0e#2d2e2c#2a160e#0d172d#8a716d#1b2832
See the full The Giant colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
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