Sun Choke (2015)

Directed by Ben Cresciman · Cinematography by Mathew Rudenberg

TV-MA83 min58 frames

DramaMysteryThrillerHorror

There are a lot of ways this world can hurt you

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Stills, screencaps & shots from Sun Choke

16 of 58 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.

Sun Choke (2015) — © Easy Open Productions, Lodger Films

Sun Choke — official trailer

What is Sun Choke about?

Janie’s just trying to get well. As she recovers from a violent psychotic break, she’s subjected each day to a bizarre holistic health and wellness regimen designed, and enforced, by her lifelong nanny and caretaker. But when she develops an obsession with a stranger, Janie's buried demons begin to surface.

Where can you watch Sun Choke?

US availability for Sun Choke (2015). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.

Who stars in Sun Choke?

Who made Sun Choke?

What does the cinematography of Sun Choke look like?

Across 58 sampled frames, Sun Choke builds its coverage from close-ups (48% of the sample), with medium shots (34%) carrying much of the rest. Cinematographer Mathew Rudenberg keeps 48% of it in soft, low-key light. 47% of the frames play at night or in the failing light of dusk. Focus stays shallow in 86% of the frames, isolating subjects from their surroundings.

What is the color palette of Sun Choke?

The dominant colors across the sampled frames of Sun Choke (2015) are #32302f, #d3d3d3, #544f4e, #acadab, #8f9191, #121111 — measured from the per-frame color data FrameThrower extracts for every film.

  • #32302f
  • #d3d3d3
  • #544f4e
  • #acadab
  • #8f9191
  • #121111

See the full Sun Choke colour palette — every hex with its share, plus warmth, saturation and luminance.

A reference database for filmmakers

FrameThrower is a fully machine-searchable film database and visual reference library — all 58 frames of Sun Choke (2015), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.

Techniques in this film

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