Shade (2003)
Directed by Damian Nieman · Cinematography by Anthony B. Richmond
R101 min117 frames
ActionThrillerCrime
Lie, cheat, steal... your deal!
Stills, screencaps & shots from Shade
16 of 117 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















Shade — official trailer
What is Shade about?
Tiffany, Charlie and Vernon are con artists looking to up the ante from their typical scams. They figure a good way of doing this is taking down Dean "The Dean" Stevens, a well-known cardsharp, in a rigged game. However, they first need enough money to enter a game with Stevens, so they decide to strike a deal with fellow crook Larry Jennings to scam a local gangster -- which turns out to be a bad idea.
Where can you watch Shade?
Amazon Prime VideoStream
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Shout! Factory Amazon ChannelStream
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US availability for Shade (2003). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in Shade?
Who made Shade?
What does the cinematography of Shade look like?
Sampled across 117 frames, the coverage of Shade leans on medium shots (64% of the sample) and close-ups (19%). Cinematographer Anthony B. Richmond keeps 62% of it in soft, low-key light. Night and dusk account for 85% of the frames. Anamorphic glass shapes the frame. Focus stays shallow in 83% of the frames, isolating subjects from their surroundings.
What is the color palette of Shade?
The dominant colors across the sampled frames of Shade (2003) are #332c2a, #110e0d, #251914, #4a342d, #8c776a, #d4d2cf — measured from the per-frame color data FrameThrower extracts for every film.
#332c2a#110e0d#251914#4a342d#8c776a#d4d2cf
See the full Shade colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
FrameThrower is a fully machine-searchable film database and visual reference library — all 117 frames of Shade (2003), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.
Techniques in this film
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