Seabiscuit (2003)
Directed by Gary Ross · Cinematography by John Schwartzman
PG-13140 min64 frames
DramaHistory
The hopes of a nation rode on a long shot.
Stills, screencaps & shots from Seabiscuit
16 of 64 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















Seabiscuit — official trailer
What is Seabiscuit about?
True story of the undersized Depression-era racehorse whose victories lifted not only the spirits of the team behind it but also those of their nation.
Where can you watch Seabiscuit?
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US availability for Seabiscuit (2003). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in Seabiscuit?
Who made Seabiscuit?
What does the cinematography of Seabiscuit look like?
Across 64 sampled frames, Seabiscuit builds its coverage from wide compositions (33% of the sample), with medium shots (33%) carrying much of the rest. Cinematographer John Schwartzman keeps 52% of it in soft, naturalistic light. Daylight carries most of the picture. Anamorphic glass shapes the frame. The production design places the film in the 1940s.
What is the color palette of Seabiscuit?
The dominant colors across the sampled frames of Seabiscuit (2003) are #352f28, #181411, #48382d, #504c36, #8a7454, #251913 — measured from the per-frame color data FrameThrower extracts for every film.
#352f28#181411#48382d#504c36#8a7454#251913
See the full Seabiscuit colour palette — every hex with its share, plus warmth, saturation and luminance.
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Techniques in this film
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