Sasquatch Sunset (2024)
Directed by David Zellner, Nathan Zellner · Cinematography by Mike Gioulakis
R88 min52 frames
FantasyComedy
Stills, screencaps & shots from Sasquatch Sunset
16 of 52 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















Sasquatch Sunset — official trailer
What is Sasquatch Sunset about?
In the misty forests of North America, a family of Sasquatches—possibly the last of their enigmatic kind—embark on an absurdist, epic, hilarious, and ultimately poignant journey over the course of one year. These shaggy and noble giants fight for survival as they find themselves on a collision course with the ever-changing world around them.
Where can you watch Sasquatch Sunset?
US availability for Sasquatch Sunset (2024). Provided by Streaming Availability API by Movie of the Night. Availability changes — check the provider for current listings.
Who stars in Sasquatch Sunset?
Who made Sasquatch Sunset?
What does the cinematography of Sasquatch Sunset look like?
Sampled across 52 frames, the coverage of Sasquatch Sunset leans on close-ups (31% of the sample) and wide compositions (27%). Cinematographer Mike Gioulakis keeps 94% of it in soft, naturalistic light. This is largely a daylight film — 81% of the frames play in daylight.
What is the color palette of Sasquatch Sunset?
The dominant colors across the sampled frames of Sasquatch Sunset (2024) are #30332c, #55574b, #918c75, #6f6c59, #464c37, #28251b — measured from the per-frame color data FrameThrower extracts for every film.
#30332c#55574b#918c75#6f6c59#464c37#28251b
See the full Sasquatch Sunset colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
FrameThrower is a fully machine-searchable film database and visual reference library — all 52 frames of Sasquatch Sunset (2024), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.
Techniques in this film
More films by David Zellner, Nathan Zellner
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