Stills, screencaps & shots from Revenge
16 of 49 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
What is Revenge about?
Diana's best friend Miriam is kidnapped by Cassandra, a declared enemy of Wonder Woman. Cassandra has spent years researching WW's identity and has successfully figured it out. Surprising Diana at her home, Cassandra reveals her newfound information concerning Wonder Woman's identity, and then blackmails Diana to come with her to save Miriam's life. Diana has no choice. Cassandra wastes no time and calls for WW to appear. Diana concedes and Cassandra moves ahead with her plan, explaining to Wonder Woman that she and her 4 associates, all ex-cons that WW locked up, are going to do whatever the hell they want to WW for the next 24 hours. Cassandra further explains that the impending humiliating defeat will all be filmed, and if WW chooses to go to the authorities after the fact, the tapes will be released.
What does the cinematography of Revenge look like?
Sampled across 49 frames, the coverage of Revenge leans on close-ups (39% of the sample) and medium shots (27%). Cinematographer Robrecht Heyvaert keeps 57% of it in naturalistic light. This is largely a daylight film — 61% of the frames play in daylight. Focus stays shallow in 59% of the frames, isolating subjects from their surroundings.
What is the color palette of Revenge?
The dominant colors across the sampled frames of Revenge (2017) are #0e0e0c, #302d2a, #ac8d72, #534b35, #28160d, #05292f — measured from the per-frame color data FrameThrower extracts for every film.
#0e0e0c#302d2a#ac8d72#534b35#28160d#05292f
See the full Revenge colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
FrameThrower is a fully machine-searchable film database and visual reference library — all 49 frames of Revenge (2017), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.