On a Wing and a Prayer (2023)
Directed by Sean McNamara · Cinematography by Christian Sebaldt
PG102 min145 frames
Drama
Based On The Incredible True Story
Stills, screencaps & shots from On a Wing and a Prayer
16 of 145 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
On a Wing and a Prayer — official trailer
What is On a Wing and a Prayer about?
After their pilot dies unexpectedly mid-flight, passenger Doug White must safely land a plane and save his entire family from insurmountable danger.
Where can you watch On a Wing and a Prayer?
US availability for On a Wing and a Prayer (2023). Provided by Streaming Availability API by Movie of the Night. Availability changes — check the provider for current listings.
Who stars in On a Wing and a Prayer?
Who made On a Wing and a Prayer?
Sean McNamaraDirector- Christian SebaldtCinematography
Autumn BaileyProducer
Roma DowneyProducer
What does the cinematography of On a Wing and a Prayer look like?
Sampled across 145 frames, the coverage of On a Wing and a Prayer leans on medium shots (59% of the sample) and wide compositions (19%). Cinematographer Christian Sebaldt keeps 72% of it in soft, naturalistic light. This is largely a daylight film — 61% of the frames play in daylight. Anamorphic glass shapes the frame. Focus stays shallow in 77% of the frames, isolating subjects from their surroundings.
What is the color palette of On a Wing and a Prayer?
The dominant colors across the sampled frames of On a Wing and a Prayer (2023) are #312f2d, #f7f7f7, #d2d2d1, #4f4f4d, #100e0e, #8f8f8c — measured from the per-frame color data FrameThrower extracts for every film.
#312f2d#f7f7f7#d2d2d1#4f4f4d#100e0e#8f8f8c
See the full On a Wing and a Prayer colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
FrameThrower is a fully machine-searchable film database and visual reference library — all 145 frames of On a Wing and a Prayer (2023), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.
Techniques in this film
More films by Sean McNamara
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