Non-Fiction (2018)
Directed by Olivier Assayas · Cinematography by Yorick Le Saux
R108 min47 frames
ComedyDramaRomance
Stills, screencaps & shots from Non-Fiction
16 of 47 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















Non-Fiction — official trailer
What is Non-Fiction about?
Alain, a successful Parisian publisher struggling to adapt to the digital revolution, has major doubts about the new manuscript of Léonard, one of his long-time authors — another work of auto-fiction recycling his love affair with a minor celebrity. Selena, Alain’s wife, a famous stage actress, is of the opposite opinion.
Where can you watch Non-Fiction?
PhiloStream
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US availability for Non-Fiction (2018). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in Non-Fiction?
Who made Non-Fiction?
What does the cinematography of Non-Fiction look like?
Across 47 sampled frames, medium shots dominate the coverage of Non-Fiction (83% of the sample). Cinematographer Yorick Le Saux keeps 74% of it in soft, naturalistic light. Daylight carries most of the picture. Focus stays shallow in 81% of the frames, isolating subjects from their surroundings.
What is the color palette of Non-Fiction?
The dominant colors across the sampled frames of Non-Fiction (2018) are #32302e, #4f5152, #d5d2cd, #75756c, #91928f, #1c1c1b — measured from the per-frame color data FrameThrower extracts for every film.
#32302e#4f5152#d5d2cd#75756c#91928f#1c1c1b
See the full Non-Fiction colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
FrameThrower is a fully machine-searchable film database and visual reference library — all 47 frames of Non-Fiction (2018), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.
Techniques in this film
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