Morir un Poco (1967)
Directed by Álvaro J. Covacevich · Cinematography by Óscar Gómez Prieto
69 min157 frames
Documentary
Every day, the man goes out on the street to die a little, instead of going out to live.
Stills, screencaps & shots from Morir un Poco
16 of 157 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
What is Morir un Poco about?
A film-truth document. It presents the life of Luis, a man who wanders the streets of the city, going to and from work, contemplating the windows of a world he can never have and that invite him to consume, to dream.
Who stars in Morir un Poco?
Who made Morir un Poco?
- Álvaro J. CovacevichDirector
- Óscar Gómez PrietoCinematography
What does the cinematography of Morir un Poco look like?
Sampled across 157 frames, the coverage of Morir un Poco leans on medium shots (60% of the sample) and wide compositions (19%). Cinematographer Óscar Gómez Prieto keeps 65% of it in soft, naturalistic light. Focus stays shallow in 82% of the frames, isolating subjects from their surroundings.
What is the color palette of Morir un Poco?
The dominant colors across the sampled frames of Morir un Poco (1967) are #33312d, #53524b, #d6d3ca, #90918c, #161614, #918a74 — measured from the per-frame color data FrameThrower extracts for every film.
#33312d#53524b#d6d3ca#90918c#161614#918a74
See the full Morir un Poco colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
FrameThrower is a fully machine-searchable film database and visual reference library — all 157 frames of Morir un Poco (1967), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.
Techniques in this film
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