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Morir un Poco (1967)

Directed by Álvaro J. Covacevich · Cinematography by Óscar Gómez Prieto

69 min157 frames

Documentary

Every day, the man goes out on the street to die a little, instead of going out to live.

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Stills, screencaps & shots from Morir un Poco

16 of 157 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.

Morir un Poco (1967) movie still: medium — An interior of a public bus at night with dark metal grab rails visible. A young woman looks ahead while…Morir un Poco (1967) movie still: medium — A dimly lit room with vintage furniture and a wooden door with glass panels. A middle-aged man in a navy…Morir un Poco (1967) movie still: closeup — An interior space features a close view of a man and a red vegetable. The man holds the bright red…Morir un Poco (1967) movie still: closeup — A dark metal wok sits on a stovetop containing sliced red peppers and oil. A wooden spatula stirs the…Morir un Poco (1967) movie still: wide — A rural landscape features a dirt road winding through grassy hills with scattered trees. A red car travels…Morir un Poco (1967) movie still: medium — A small grocery store interior with wooden produce crates stacked with vegetables and fruit. An elderly…Morir un Poco (1967) movie still: medium — A dark, wood-paneled room is filled with people dancing in semi-darkness. A young woman dances closely…Morir un Poco (1967) movie still: wide — A weathered urban courtyard is surrounded by tall, aging apartment building walls with windows. Two young…Morir un Poco (1967) movie still: medium — An aged cobblestone alley features a worn, green-painted wooden fence along the right wall. A man leans…Morir un Poco (1967) movie still: wide — A quiet rural graveyard features many upright stone markers near a wooded hill. A man and a woman stand…Morir un Poco (1967) movie still: establishing — An aerial top-down view of a city street showing two parallel rows of parked cars. Painted parking…Morir un Poco (1967) movie still: wide — A dimly lit indoor corridor features patterned tile floors and ornate wooden paneled doors. The space…Morir un Poco (1967) movie still: closeup — A vintage Unitra radio sits on a worn wooden shelf in an interior room. The background is blurred and…Morir un Poco (1967) movie still: wide — A weathered brick wall covered in extensive street art and graffiti lines an alleyway. A person in dark…Morir un Poco (1967) movie still: medium — A dimly lit building interior features a dark open doorway leading to a street. A man and a woman lean…Morir un Poco (1967) movie still: medium — A dimly lit indoor space features blurred figures dancing in the background. A young woman in the…
Morir un Poco (1967) — © Sud Americana Films

What is Morir un Poco about?

A film-truth document. It presents the life of Luis, a man who wanders the streets of the city, going to and from work, contemplating the windows of a world he can never have and that invite him to consume, to dream.

Who stars in Morir un Poco?

Who made Morir un Poco?

What does the cinematography of Morir un Poco look like?

Sampled across 157 frames, the coverage of Morir un Poco leans on medium shots (60% of the sample) and wide compositions (19%). Cinematographer Óscar Gómez Prieto keeps 65% of it in soft, naturalistic light. Focus stays shallow in 82% of the frames, isolating subjects from their surroundings.

What is the color palette of Morir un Poco?

The dominant colors across the sampled frames of Morir un Poco (1967) are #33312d, #53524b, #d6d3ca, #90918c, #161614, #918a74 — measured from the per-frame color data FrameThrower extracts for every film.

  • #33312d
  • #53524b
  • #d6d3ca
  • #90918c
  • #161614
  • #918a74

See the full Morir un Poco colour palette — every hex with its share, plus warmth, saturation and luminance.

A reference database for filmmakers

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