Mommy Dead and Dearest (2017)
Directed by Erin Lee Carr · Cinematography by Bryan Sarkinen
TV-MA82 min45 frames
CrimeDocumentary
In this family, every illness was a lie - except the mother's.
Stills, screencaps & shots from Mommy Dead and Dearest
16 of 45 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
Mommy Dead and Dearest — official trailer
What is Mommy Dead and Dearest about?
Child abuse, mental illness, and forbidden love converge in this mystery involving a mother and daughter who were thought to be living a fairy tale life that turned out to be a living nightmare.
Where can you watch Mommy Dead and Dearest?
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US availability for Mommy Dead and Dearest (2017). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in Mommy Dead and Dearest?
Gypsy-Rose Blanchardas Self- Dee Dee Blanchardas Self (archive footage)
- Rod Blanchardas Self - Gypsy's Father
Who made Mommy Dead and Dearest?
What does the cinematography of Mommy Dead and Dearest look like?
Across 45 sampled frames, Mommy Dead and Dearest builds its coverage from medium shots (51% of the sample), with close-ups (27%) carrying much of the rest. Cinematographer Bryan Sarkinen keeps 53% of it in soft, naturalistic light. Focus stays shallow in 71% of the frames, isolating subjects from their surroundings.
What is the color palette of Mommy Dead and Dearest?
The dominant colors across the sampled frames of Mommy Dead and Dearest (2017) are #f5f6f5, #33312e, #d3d2cf, #535150, #090807, #ccb294 — measured from the per-frame color data FrameThrower extracts for every film.
#f5f6f5#33312e#d3d2cf#535150#090807#ccb294
See the full Mommy Dead and Dearest colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
FrameThrower is a fully machine-searchable film database and visual reference library — all 45 frames of Mommy Dead and Dearest (2017), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.
Techniques in this film
More films by Erin Lee Carr
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