Making of: World On A Wire (1973)

Directed by Juliane Lorenz · Cinematography by Elfi Mikesch

48 min60 frames

Documentary

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Stills, screencaps & shots from Making of: World On A Wire

16 of 60 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.

Making of: World On A Wire (1973) — © Rainer Werner Fassbinder Foundation

What is Making of: World On A Wire about?

A retrospective look at the making of "World on a Wire".

Who stars in Making of: World On A Wire?

Who made Making of: World On A Wire?

What does the cinematography of Making of: World On A Wire look like?

Sampled across 60 frames, the coverage of Making of: World On A Wire leans on medium shots (50% of the sample) and close-ups (22%). Cinematographer Elfi Mikesch keeps 42% of it in soft, low-key light. Night and dusk account for 50% of the frames. Focus stays shallow in 70% of the frames, isolating subjects from their surroundings. The production design places the film in the 1970s.

What is the color palette of Making of: World On A Wire?

The dominant colors across the sampled frames of Making of: World On A Wire (1973) are #2f2c2c, #0b0b0c, #f6f5f5, #d4d5d5, #4d4d4e, #adadac — measured from the per-frame color data FrameThrower extracts for every film.

  • #2f2c2c
  • #0b0b0c
  • #f6f5f5
  • #d4d5d5
  • #4d4d4e
  • #adadac

See the full Making of: World On A Wire colour palette — every hex with its share, plus warmth, saturation and luminance.

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