Lowlife (2017)

Directed by Ryan Prows · Cinematography by Benjamin Kitchens

96 min28 frames

CrimeThrillerComedyHorror

Blessed are the Meek

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Stills, screencaps & shots from Lowlife

16 of 28 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.

Lowlife (2017) movie still: closeup — A masked individual stands in a dark room with minimal ambient light. The man wears a red and gold lucha libre… — Lowlife (2017) — © The Salt Company, Initialize Films

Lowlife (2017) movie still: fullbody — A man walks down concrete stairs in front of a multi-story apartment complex. The beige building features… — Lowlife (2017) — © The Salt Company, Initialize Films

Lowlife — official trailer

What is Lowlife about?

The sordid lives of an addict, an ex-con, and a luchador collide when an organ harvesting caper goes very, very wrong.

Where can you watch Lowlife?

US availability for Lowlife (2017). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.

Who stars in Lowlife?

Who made Lowlife?

What does the cinematography of Lowlife look like?

Sampled across 28 frames, the coverage of Lowlife leans on medium shots and wide compositions. Cinematographer Benjamin Kitchens keeps much of it in soft, low-key light. Night and dusk account for much of the film. Anamorphic glass shapes the frame. Focus stays shallow in most of the frames, isolating subjects from their surroundings.

What is the color palette of Lowlife?

The dominant colors across the sampled frames of Lowlife (2017) are #2f322f, #4e4d47, #161615, #8e8f8c, #d2d2ce, #70736f — measured from the per-frame color data FrameThrower extracts for every film.

#2f322f
#4e4d47
#161615
#8e8f8c
#d2d2ce
#70736f

See the full Lowlife colour palette — every hex with its share, plus warmth, saturation and luminance.

A reference database for filmmakers

FrameThrower is a fully machine-searchable film database and visual reference library — all 28 frames of Lowlife (2017), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.

Techniques in this film

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