In The Tall Grass (2019)
Directed by Vincenzo Natali · Cinematography by Craig Wrobleski
TV-MA101 min61 frames
HorrorDramaThriller
Some places have a mind of their own.
Stills, screencaps & shots from In The Tall Grass
16 of 61 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















In The Tall Grass — official trailer
What is In The Tall Grass about?
After hearing a child screaming for help from the green depths of a vast field of tall grass, Becky, a pregnant woman, and Cal, her brother, park their car near a mysterious abandoned church and enter the field, discovering that they are not alone and, for some reason, they are unable to escape a completely inextricable vegetable labyrinth.
Where can you watch In The Tall Grass?
US availability for In The Tall Grass (2019). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in In The Tall Grass?
Who made In The Tall Grass?
What does the cinematography of In The Tall Grass look like?
Sampled across 52 frames, the coverage of In The Tall Grass leans on wide compositions (31% of the sample) and medium shots (31%). Cinematographer Craig Wrobleski keeps 52% of it in soft, naturalistic light. Anamorphic glass shapes the frame. Focus stays shallow in 60% of the frames, isolating subjects from their surroundings.
What is the color palette of In The Tall Grass?
The dominant colors across the sampled frames of In The Tall Grass (2019) are #090f10, #15292e, #314d2e, #293231, #4d534d, #546e4f — measured from the per-frame color data FrameThrower extracts for every film.
#090f10#15292e#314d2e#293231#4d534d#546e4f
See the full In The Tall Grass colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
FrameThrower is a fully machine-searchable film database and visual reference library — all 61 frames of In The Tall Grass (2019), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.
Techniques in this film
More films by Vincenzo Natali
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