In The Cut (2003)
Directed by Jane Campion · Cinematography by Dion Beebe
R119 min60 frames
DramaMysteryThrillerRomance
Everything you know about desire is dead wrong.
Stills, screencaps & shots from In The Cut
16 of 60 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















In The Cut — official trailer
What is In The Cut about?
A New York City writing professor, Frannie Avery, has an affair with a police detective who is investigating the murder of a beautiful young woman in her neighborhood.
In the Cut is a 2003 psychological thriller film written and directed by Jane Campion and starring Meg Ryan, Mark Ruffalo, Jennifer Jason Leigh and Kevin Bacon. Campion's screenplay is an adaptation of the 1995 novel of the same name by Susanna Moore. The film focuses on an English teacher who becomes personally entangled with a detective investigating a series of gruesome murders in her Manhattan neighborhood.
Second paragraph from Wikipedia, available under CC BY-SA 4.0.
Where can you watch In The Cut?
US availability for In The Cut (2003). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in In The Cut?
Who made In The Cut?
What does the cinematography of In The Cut look like?
Across 60 sampled frames, In The Cut builds its coverage from close-ups (45% of the sample), with medium shots (32%) carrying much of the rest. Cinematographer Dion Beebe keeps 67% of it in soft, low-key light. 67% of the frames play at night or in the failing light of dusk. Anamorphic glass shapes the frame. Focus stays shallow in 87% of the frames, isolating subjects from their surroundings.
What is the color palette of In The Cut?
The dominant colors across the sampled frames of In The Cut (2003) are #0f0d0a, #30312b, #2d291a, #4f4b30, #4b3528, #28130c — measured from the per-frame color data FrameThrower extracts for every film.
#0f0d0a#30312b#2d291a#4f4b30#4b3528#28130c
See the full In The Cut colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
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Techniques in this film
More films by Jane Campion
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