I Origins (2014)

Directed by Mike Cahill · Cinematography by Markus Förderer

R106 min65 frames

Science FictionDrama

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Stills, screencaps & shots from I Origins

16 of 65 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.

I Origins (2014) — © Bersin Pictures, Verisimilitude

I Origins — official trailer

What is I Origins about?

A molecular biologist's study of the human eye has far-reaching implications about humanity's scientific and spiritual beliefs.

I Origins is a 2014 American science fiction romantic drama film written and directed by Mike Cahill. The independent production premiered at the 2014 Sundance Film Festival on January 18, 2014. It is distributed by Fox Searchlight Pictures, and opened in limited release on July 18, 2014. It won the Best Feature Length Film Award at the Festival Internacional de Cinema Fantàstic de Catalunya on October 11, 2014.

Second paragraph from Wikipedia, available under CC BY-SA 4.0.

Where can you watch I Origins?

US availability for I Origins (2014). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.

Who stars in I Origins?

Who made I Origins?

What does the cinematography of I Origins look like?

Sampled across 64 frames, the coverage of I Origins leans on close-ups (36% of the sample) and medium shots (34%). Cinematographer Markus Förderer keeps 42% of it in soft, naturalistic light. Vintage glass shapes the frame. Focus stays shallow in 73% of the frames, isolating subjects from their surroundings.

What is the color palette of I Origins?

The dominant colors across the sampled frames of I Origins (2014) are #312f2e, #101011, #4e4d4a, #d4d2ce, #b2b3b0, #78736f — measured from the per-frame color data FrameThrower extracts for every film.

  • #312f2e
  • #101011
  • #4e4d4a
  • #d4d2ce
  • #b2b3b0
  • #78736f

See the full I Origins colour palette — every hex with its share, plus warmth, saturation and luminance.

A reference database for filmmakers

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Techniques in this film

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