I, Daniel Blake (2016)
Directed by Ken Loach · Cinematography by Robbie Ryan
R100 min29 frames
Drama
My name is Daniel Blake. I am a man, not a dog.
Stills, screencaps & shots from I, Daniel Blake
16 of 29 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















I, Daniel Blake — official trailer
What is I, Daniel Blake about?
A middle aged carpenter, who requires state welfare after injuring himself, is joined by a single mother in a similar scenario.
I, Daniel Blake is a 2016 British drama film written by Paul Laverty and directed by Ken Loach. The film stars Dave Johns as Daniel Blake, a middle-aged man who is denied Employment and Support Allowance despite being declared unfit to work by his doctor. Hayley Squires co-stars as Katie, a struggling single mother whom Daniel befriends.
Second paragraph from Wikipedia, available under CC BY-SA 4.0.
Where can you watch I, Daniel Blake?
US availability for I, Daniel Blake (2016). Provided by Streaming Availability API by Movie of the Night. Availability changes — check the provider for current listings.
Who stars in I, Daniel Blake?
Who made I, Daniel Blake?
What does the cinematography of I, Daniel Blake look like?
Sampled across 29 frames, the coverage of I, Daniel Blake leans on medium shots and wide compositions. Cinematographer Robbie Ryan keeps most of it in soft, naturalistic light. This is largely a daylight film — most of the frames play in daylight. Focus stays shallow in most of the frames, isolating subjects from their surroundings.
What is the color palette of I, Daniel Blake?
The dominant colors across the sampled frames of I, Daniel Blake (2016) are #2f2f2e, #534e4b, #8e8f8b, #afafab, #727370, #181614 — measured from the per-frame color data FrameThrower extracts for every film.
#2f2f2e#534e4b#8e8f8b#afafab#727370#181614
See the full I, Daniel Blake colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
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Techniques in this film
More films by Ken Loach
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