Hotel Artemis (2018)

Directed by Drew Pearce · Cinematography by Chung Chung-hoon

R94 min55 frames

Science FictionActionCrimeThriller

No guns. No cops. No killing the other patients.

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Stills, screencaps & shots from Hotel Artemis

16 of 55 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.

Hotel Artemis (2018) — © The Ink Factory, Marc Platt Productions

Hotel Artemis — official trailer

What is Hotel Artemis about?

Los Angeles, June 21st, 2028. While the streets are being torn apart by riots, the Nurse, who runs a clandestine hospital for criminals in the penthouse of the Artemis, a closed old hotel, has a rough night dealing with troublemaker clients: thieves, assassins, someone from the past and the one who owns the place and the whole city.

Where can you watch Hotel Artemis?

US availability for Hotel Artemis (2018). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.

Who stars in Hotel Artemis?

Who made Hotel Artemis?

What does the cinematography of Hotel Artemis look like?

Across 55 sampled frames, Hotel Artemis builds its coverage from wide compositions (33% of the sample), with medium shots (31%) carrying much of the rest. Cinematographer Chung Chung-hoon keeps 93% of it in soft, low-key light. 84% of the frames play at night or in the failing light of dusk. Anamorphic glass shapes the frame. Focus stays shallow in 58% of the frames, isolating subjects from their surroundings.

What is the color palette of Hotel Artemis?

The dominant colors across the sampled frames of Hotel Artemis (2018) are #141110, #31312b, #2e251a, #534b35, #261711, #8c714e — measured from the per-frame color data FrameThrower extracts for every film.

  • #141110
  • #31312b
  • #2e251a
  • #534b35
  • #261711
  • #8c714e

See the full Hotel Artemis colour palette — every hex with its share, plus warmth, saturation and luminance.

A reference database for filmmakers

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Techniques in this film

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